You would analyze constructions or representations of Chinese national or transnational identities in two or three contemporary films. You would limit your research and analysis to contemporary cases (mid to late 20th century OR 21st century). It will be situate in specific historical, political and national contexts.
The books, History goes to the movies by Marnie Hughes-Warrington and Jenkins Re-thinking History, will be involved.
The paper can not be plagiarized, I will use plagiarism checker to check.
The paper needs other sources to back up the thesis and arguments. Each paragraph needs an argument.
It needs transition to every part of the paper.
double space, size 12, 12 pages. I need references page as well